Hannah Peel & Paraorchestra – The Unfolding
10th April 2022 | by Tony Colvill
This is left field, but I think it will appeal to some of the progressive music audience. It’s more of... Read More →
10th April 2022 | by Tony Colvill
This is left field, but I think it will appeal to some of the progressive music audience. It’s more of... Read More →
9th April 2022 | by Nick Hudson
I have been struggling to write this review for some months now, not because I can’t think of anything positive... Read More →
8th April 2022 | by Graham Thomas
Since the last Spock’s Beard album, Noise Floor in 2018, half the band have joined the Pattern-Seeking Animals project, the... Read More →
7th April 2022 | by Alex Driessen
OK, we can all imagine the existence of tribute bands for Genesis – there are plenty of them around. The... Read More →
6th April 2022 | by Mel Allen
Cherry Red Records now have a long history of releasing Hawkwind albums, having handled box sets of their late seventies... Read More →
5th April 2022 | by Phil Lively
“Music without predefined structures or scores, built on improvisations in one take with Chapman Stick and loops, a minimalist journey... Read More →
4th April 2022 | by Tony Colvill
Journeys is, for Stewart Clark, that difficult third album. I reviewed the previous one, Let’s Go There, early last year,... Read More →
3rd April 2022 | by Nick Hudson
Pencarrow’s likeable debut sounded almost like some young fans of bands such as Opeth and Dream Theater were inspired to... Read More →
2nd April 2022 | by Alex Driessen
Genesis visited the Netherlands. And no, I wasn’t there. A conscious decision. In 2007, however, I actually made it, together... Read More →