CD Reviews

Published on 9th December 2016

Lite – Cubic


Article by:

Turning back the clock some ten years or more – around that period there seemed to be a steady influx of great music arriving from Japan. The wonderful KBB, along with notable side projects from violinist Akihisa Tsuboy. Asturias, especially their acoustic work and of course there’s Kenso, to mention just a few.

One band that passed me by however was this, mainly instrumental, Tokyo based quartet formed around 2003. Now on their fifth release, Cubic (some backtracking to be done methinks), Lite passes the smile test with flying colours. What’s the smile test? Click the link below and if you feel the sides of your mouth rising gradually upwards, you’ll know. Conversely, if you’re not smiling at the end of the track then this may well not be an album for you.

Now I know I shouldn’t be put off by labels and although I like my music complex I do tend to struggle with Math Rock, closely followed by Post Rock genre monikers – both labels attached to Lite. So I may well have missed this album, but somewhat missing music from the land of the rising sun, I clicked on the opening track from Cubic. I’m smiling…

What immediately captured the imagination was although the music was catchy, quirky, edgy and complex in equal measures, it didn’t resort to brutal riffage oft associated with the Math Rock genre. On the contrary the riffs and intertwining themes meshed neatly together with just a soupçon of distortion from the guitars. The odd metering develops throughout the track, without ever leaving you with a sense of ability over content. The pre-gain is cranked a little more for Balloon, but still the music has clarity.

Warp had a worrying moment when I feared we had drifted into some mutated remake of the Only Fools and Horses theme tune. I jest and once again the music is engaging in a sort of spikey way. The album moves from strength to strength as Square introduces electro elements, whilst Inside the Silence is a delayed resting point before the choppy Angled mauls and mangles the blues.

The catchy D is the band’s video release from the album and although it’s never going to be a dance-floor filler there’s a wonderful groove going on here. Guest musician Tabu Zombie adds some atmospheric trumpet…

Black Box acts as a bookmarker before the groove returns for album closer Zero. I could have lived without the vocalisation here – moot point.

A great find and could well be in the running for the end of year “Pick of the Progs” nonsense. At a little over half an hour Cubic is short and sweet, which just leaves time and space for a second helping…

TRACK LISTING
01. Else (4:38)
02. Balloon (3:45)
03. Warp (4:13)
04. Square (4:50)
05. Inside the Silence (1:25)
06. Angled (4:31)
07. D (4:16)
08. Prism (3:40)
09. Black Box (0:41)
10. Zero (4:11)

Total Time – 31:19

MUSICIANS
Nobuyuki Takeda – Guitar
Kozo Kusumoto – Guitar & Synthesizer
Jun Izawa – Bass
Akinori Yamamoto – Drums
~ with:
Tabu Zombie – Trumpet (track 7)

ADDITIONAL INFO
Record Label – n/a
Country of Origin: Japan
Release Date – 16th November 2016

LINKS
Lite – Website | Facebook | Bandcamp

Tags:



Back to Top ↑
  • CD Reviews Index

  • Alan Reed : Razor

  • Big Hogg – Solitary Way

  • Richard Barbieri – Solar Sea

  • Beatrix Players – Rushlight

  • O.R.k. – Collapsing Hopes

  • White Willow – Future Hopes

  • Kepler Ten – Time and Tide

  • Big BIg Train – Victorian Brickwork

  • The Mute Gods – We Can’t Carry On